Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

you're want to buy Mockingjay (The Final Book of The Hunger Games) [Kindle Edition],yes ..! you comes at the right place. you can get special discount for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition].You can choose to buy a product and Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] at the Best Price Online with Secure Transaction Here...





other Customer Rating:



read more Details

Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay to the unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one in the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended being a trilogy. Did it genuinely end the way you planned it from the beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.

Q: We understand you worked around the initial screenplay for a film to be depending on The Hunger Games. What will be the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you find yourself adapting a novel in a two-hour movie you simply can't take everything with you. The story has to be condensed to match the new form. Then you have the question of how best to consider the sunday paper told within the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and so are privy to any or all of her thoughts so you'll need a approach to dramatize her inner world and to create it possible for other characters to exist beyond her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A great deal of things are acceptable on a page that wouldn't be over a screen. But how certain moments are depicted could eventually be inside director's hands.

Q: Are you in a position to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully that it is simply too difficult to take into consideration new ideas?

A: We have a few seeds of ideas floating around inside my head but--given much of my focus continues to be on The Hunger Games--it will likely be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is an annual televised event by which one boy and one girl from each with the twelve districts is forced to participate in the fight-to-the-death on live TV. What can you think the selling point of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, so that whenever they see real tragedy playing out on, say, the news, it doesn't contain the impact it should.

Q: In case you were made to compete within the Hunger Games, what can you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to obtain hold of your rapier if there is one available. But reality is I'd probably get of a four in Training.

Q: What does one hope readers can come away with after they read The Hunger Games trilogy?

A: Questions about how exactly elements in the books could be relevant within their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time around it can be for world control. While it is often a clever twist around the original plot, it indicates that there is less focus around the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life into a less vibrant Katniss by displaying despair both at those she feels responsible for killing and and at her own motives and choices. This is surely an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very evidenced as part of his voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each and every from the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.